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Pete Gooding - Profile | |||||||||||||||||
Pete Gooding has long been synonymous with Ibiza. But if you've ever set foot on La Isla Blanca, or heard him at his countless UK and international gigs, you'll know his musical clout extends far beyond chillout or obscure ambient electronica - his repertoire includes tracks that take you from beach to sunset to block-rocking main room without missing a beat. Up until now, Pete has been best known for his residency at Cafe Mambo where he's been behind the decks there for eight hours a night for the last 10 summers. As Mambo grew from a handful of tables on the beach front to a luxury terrace complete with ice-cold water spritzers to cool the crowd, so did its reputation as the prime position for a perfect sunset vibe, long since eclipsing Cafe Del Mar thanks to Pete's chilled beats that gave way to a writhing mass of clubbers the second the sun dropped behind the ocean.
He subsequently started to drag his midi hi-fi into her room where she had the same system, and his first foray into mixing involved playing one record on each deck. A holiday to Ibiza at 15 cemented the relationship, and Pete invested in his first decks and a mixer. "From then on I was addicted to buying vinyl every single week!" In 1992, desperate to give his tunes a public airing, Pete took a job as a mobile DJ in a tiny wine bar near where he lived. "I'd drive 20 miles to Coventry to hire the sound system, drive back to the bar to set it up, play for six hours in this place that only held about 40 people, then pack the system away and drive back to Coventry, It used to cost me £10 more than I got paid, but I didn't care because I was so excited about playing records I loved to my friends". Clubbing around his home town of Birmingham at The Hummingbird and Shelley's in Stoke, and then onto Renaissance in Mansfield, the scene of Sasha's groundbreaking sets, Pete found his inspiration to get serious about his involvement with clubland. A humble glass collector at his local Solihull club, he started his own night with DJ Phil Docherty (who later formed Futureshock), booking all the biggest DJs from around the world (Erick Morillo, Dave Seaman, and Graeme Park) and playing himself. He then launched a night at Birmingham's biggest bar, Rafael's, and began playing out at the likes of Moneypenny's and The Steering Wheel. A day job at record shop Global Grooves led to Pete opening his own record store, Vinyl Matters, and expanding his contacts to land even more gigs across the UK.
It was one of Pete's mix tapes - a mate of his who worked for Renaissance had slipped it on and Oakes offered him a residency that he still holds today. In fact, you'd be hard pushed to find a club in Ibiza that Pete hasn't played at as a resident: he's done Privilege (where in 2000, Pete played Renaissance Live alongside Moloko, Kylie, Leftfield and Moby) and Amnesia for Renaissance, he was Cream's resident in Ibiza and Mallorca, and at Dave Seaman's 4:4 night, and Steve Lawler's Harlem Nights at Space. Represented initially by Renaissance for bookings, he's now been with Dave Seaman..s Therapy agency for the last six years. "I'd say I've been abroad virtually every weekend for the last seven years, and have played in over 35 countries" says Pete. In 2001, Pete hit the studio with production partner Adam Routh, and under the moniker Drax and Gooding the pair released their first two singles on Renaissance's label.
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