After building himself a respectful reputation as re-mixer and producer, Danton Eeprom just needed a long play to consolidate himself as a prominent producer. ‘Yes Is More’ goes beyond the usual Eeprom’s sound and risks different forms and textures. From the regular indi-esque track ‘Thanks For Nothing’ to noir techno pieces such as ‘The Feminine Man’, and the previously released ‘Confessions Of An English Opium-Eater’ and a remake of the disco classic ‘Lost In Music’ featuring Au Revoir Simone’s Erika Forster, this Frenchman probes his abilities and delivers an all-round oeuvre.
The album seems to miss the aim of the promising chart breaker singles and obvious melodies; moreover, it seeks for a more complex construction in every element. The beats are meticulously elaborated whilst the synth section is pleasant and intricate. The boldness in the selection of tracks gives the impression it could mock any category or genre the album might be fitted into. Danton Eeprom made his point: „Yes”, his long play is “more” and “Yes”, it’s really good.
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