Sound Revolt: You’re one of the last people that play progressive house as we know it. Rest of prog got really melodic or techy. What do you think about this transition? Which way do you think you will evolve? What’s the future of Bedrock?
John Digweed: For a start define progressive house? I don’t play progressive house I play house music. If you listen to my radios shows or listen to me DJ there are very few records that I would define as progressive house. I hate the way everything has to have a label.

Sound Revolt: Why didn’t you sign Lonestar’s “New Kicks”. You’re the one who made this tune so big.
John Digweed: It’s a great record but I can’t release every record I play.

Sound Revolt: How’s the work Pole Folder’s album doing? We eagerly await this.
John Digweed: Pole folder delivered a great album which I hope everyone is going to be into.

Sound Revolt: How are the sales of Desyn’s mix doing? Why was he the one to do the first instalment even though you’ve had Jonathan Lisle close to you for quite a while?
John Digweed: Desyn’s a fantastic DJ making a great name for himself across the world and I have been watching his progress for many years and felt he was the right person to start the new OS series.

Sound Revolt: After finishing ‘Glimmer’ and producing The Music – what are your and Nick’s studio plans?
John Digweed: We are working on a new Bedrock single which should be released in the New year.

Sound Revolt: Sometimes we are ashamed of our promoters. Has Sasha told you anything about the Polish Creamfields? Did you hear about other shortcomings? Maybe all you heard was good? What do you expect from Poland?
John Digweed: I don’t know what happened with Sasha from what I have been told the crowds are great, and I am looking forward to playing.

The End

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